No Day But Today

Sometimes I have to make myself very strict rules, when it comes to my media consumption. It’s usually for my own good, sometimes it’s completely arbitrary and it’s often for a reason that would seem nonsensical to an outsider.

A big one, that some people might think is very strange, started a few years ago. “I’m not ever going to encounter Rent on purpose.”

I won’t listen to it.

I won’t watch the movie. (Not that I’d want to, ugh, it’s so awful)

I won’t watch the filmed closing night performance. (Much better than the movie and still includes Tracy Thoms’s transcendent Joanne. With JV Elphaba Eden Espinosa as Maureen no less!)

This rule is in place for a few reasons. It keeps me from swirling down a bizarre hole of nostalgia, disappointment and obsession. It keeps me from poking holes in a piece of art that meant a lot to me once, means less to me now and which I know is DEEPLY, DEEPLY flawed. And mostly, it keeps me from boring the people around me with conversation about Rent. Because, and I mean this kindly, most normal humans ran out of things to say about Rent in either 1998, or when they turned 19. Whichever came first.

I could talk about Rent forever. I could talk about the original cast and how I still clap with raucous joy every time I see any of them in anything. (Remember on Smash when Daphne Ruben Vega and Jesse L. Martin were on it?) I could talk about how the replacement casts shaped Broadway talent for a generation and are still shaping it in certain ways. (Not least of all because of Hamilton and Lin-Manuel’s admitted affection for the show and it’s style.) I could talk about Jonathan Larson, the stranger than fiction circumstances of his death, the good work done by his family in his name, and speculate about what theater would look like if he’d lived. (My guess? A lot fewer revivals & movie adaptations. A lot more rock operas about gay people.)

Anyway, this is all by way of saying that on Friday, I half broke the rule. I was listening to my Spotify “Weekly Discovery Playlist” and the first track off of Anthony Rapp’s Without You: A Musical Memoir, his recreation of his audition for Rent came on. I then spent my lunch hour listening through Without You, something I’ve been meaning to do for ages, since the book Without You is one of my all time favorite memoirs. (It’s about his mom dying as much as it’s about Rent and And as Anthony recreated his memories of the show, my own came rushing back and I knew that I needed to at the very least listen to the OBC again.

Since I had a 2 hour drive to Juli’s that night, I had the perfect opportunity.

It’s funny, the things that come back to you with music. Seeing Rent for the first time with my brother. Parking lot and diner renditions of “La Vie Boheme,” with my summer stock friends after rehearsals. Learning the alto line to “Seasons of Love” with at least 3 different choir directors. Screaming with joy as my name got called for the front lottery when Adam Pascal and Anthony Rapp were back in the show for a few weeks. My friend Ali and I dressing in our bohemian best to go see the movie on opening night. (Cannot reiterate it enough, DO NOT WATCH THE MOVIE. Do however, listen to the movie versions of “Seasons of Love,” “Out Tonight,” and “I’ll Cover You (Reprise)” Jesse Martin, Tracy Thoms and Rosario Dawson make those songs worthwhile.)

And then there’s the show and the album itself. The beauty of the music, the emotions of the story, and the urgency and earnestness of the whole thing. Looking at it as an adult, “One Song Glory,” and both versions of “I’ll Cover You,” feel much more at the heart of the whole thing than “La Vie Boheme” and “Seasons,” though as an adult, I’ve also come around on “Seasons of Love,” which while overused and misused as it has been, is just a beautifully composed choral number and achingly melancholy in a way that a teenager could never in a hundred years understand.

But there’s also an oddness to the show now. It was written when Idina Menzel’s wailing belt was trangressive and edgy, when thinking about Angel’s gender identity was taboo and confusing, when the New York I know didn’t exist, and gentrification wasn’t yet a foregone conclusion. That gives it a time capsule quality that makes it hard to evaluate outside of it’s moment.

Idina’s probably the most interesting case of the original cast. Rent made her a star theatrically, and Wicked cemented it, and while I love that I now live in a world where she and Lin-Manuel Miranda are household names, it’s weird, and half the time when people talk about Frozen, I really really want them to listen to “Over The Moon.” Not just because making people listen to “Over The Moon” out of context is hilarious, but because the image of Elsa shouting, “NOT IN MY BACKYARD UTENSILS GO BACK TO CHINA!” breaks a lot of people’s brains. The rest of the casts’ evolution makes more sense. Adam Pascal is still a theater guy, Anthony Rapp and Daphne Ruben Vega became working character actors, who it is always a joy to see. Jesse Martin became everyone’s favorite cop/dad (Sometimes both!). Taye Diggs was swallowed into Shondaland. (I actually think Taye should be a much bigger star than he is, but you know…whatever.) But Idina as Disney Supernova still baffling to me, in a very good way.

As you can see, I could keep babbling for ages about this. Which is why I have the don’t listen to Rent rule.


Two Separate Yet Equally Important Groups: Part 1

You wanna know what, given how much I love television, it’s a little weird that I’ve never written about?

Law and Order.

Seriously, I’ve never written about it. Not here, not on my old blog. (Popgirl Lives! It wasn’t great…sometimes it was OK, but not usually.) So I’m taking a two part look at Law and Order (The original, while I have grown to love SVU out of necessity, I’m still not around to Criminal Intent, and the less said about Trial By Jury the better.)

As we all know, in the criminal justice system, the people are represented by two separate yet equally important groups, the police who investigate crime, and the district attorneys who prosecute the offenders. These are the police.

There were many Law and Order detectives over the years. I mean, the show ran for twenty years, and there were just so many. Here are my favorites:

Detective Mike Logan (Chris Noth)

So young, so not yet a massive douche

So young, so not yet a massive douche

Frankly, the only thing I remember about Detective Mike Logan was that he was kind of a hothead, and that he was possibly more sarcastic than Lenny Briscoe. Also, while he and Rey Curtis (Benjamin Bratt) were together they were the handsomest cops in all the land.

Detective Rey Curtis Benjamin Bratt

Stop, swoon, repeat

Stop, swoon, repeat

I love Benjamin Bratt, and Rey is a big reason why. I loved him. I loved his flaws, I loved the way he tried to save his marriage after he had an affair. I loved how dedicated he was to his daughters, I loved how he acted with Lenny (I bring up Lenny a lot, he was the best, but we’ll get there, oh we will get there!). Yes, they weren’t quite the dream team, but that doesn’t matter.

Lieutenant Anita VanBuren (S. Epatha Merkerson)

Bad ass. Pure and Simple

Bad ass. Pure and Simple

My cultural feminist heart loves everything about Lieutenant VanBuren, as does, well, everything. Here was a woman of color, who was in charge and unapologetic about it, but it was also never a thing. If there were more characters like Anita on TV, well, there aren’t and that’s the point right? Anyway, she was great, and I always loved when she stepped in on interrogations and got EXACTLY WHAT THE INVESTIGATION NEEDED out of the suspect.

The Dream Team: Detectives Lenny Briscoe and Ed Green (Jerry Orbach and Jesse L. Martin)

Simply The Best!

Simply The Best!

I could talk about their amazing chemistry. I could talk about how they were both played by Broadway veterans. (The year that Jerry Orbach died, Martin paid tribute to him at the Tony Awards by singing “Razzle Dazzle” from Chicago, everyone cried.) I could talk about how Lenny Briscoe is one of the greatest characters in the history of TV (right behind Hawkeye and President Bartlett.) I could talk about how the two of them were consistently the best part of the show for years, even when the show was at it’s best. But you know all of that. Because, really, who hasn’t sat around in their PJ’s all day watching Law and Order reruns at one time or another? Who doesn’t know that Briscoe and Green were the best of everything? If you don’t know that, or don’t think that, then go back to wherever you came from, because you are clearly not an American.

Coming on Friday: The District Attorneys Who Prosecute the Offenders. Who do I prefer? Claire or Abbie (The answer may surprise you!) and why Jack McCoy is the perfect man!