Bill Denbrough is a gunslinger. I thought quietly as the Loser’s Club came together in two timelines throughout the first 500 pages of the epic It. Maybe Beverly Marsh and Mike Hanlon too. Maybe all of them, but definitely, definitely Bill.
It is a funny book. Even for King, it rambles and fails to cohere in places. It’s brilliant and beautiful and odd and unfathomably strange. It’s both obsessed with sex and chaste as a nun. It’s about memory and childhood and forgetting and magic and fear, and somehow, not very scary at all?
I can tell you one thing, as all things serve the beam (which gets a shout out as King describes one of the Losers Club’s better summer afternoons), I hate that fucking Turtle a whole lot.
What a godamned useless cosmic entity it is. Spitting up universes with terrible monsters, that infect small Maine towns and eat children my manifesting evil murder clowns and giant birds and what not.
But I love Bill Denbrough. I’ve fallen in love with one character in each of King’s stories that I’ve hit, that I never wanted to let go of, and for It, it’s Bill. (One would think Richie, given my allegiance to second Bananas, but no.) What a great kid! And grownup. And leader. Seriously. I love this character.
The book’s playing with memory is outstanding writing and It, and Pennywise The Dancing Clown are scary monsters. (Though, having read it practically back to back with The Shining, I find the Overlook’s ghosts much creepier.) The Losers Club are a tight band of heroes, a ka-tet worthy of the name.
But man, fuck that fucking Turtle.
Up next is Alex, Approximately by Jenn Bennett.