Season 1: Episode 3: “AKA It’s Called Whiskey”
We’re into the main story now, which is, Jessica trying to track down Kilgrave in order to prove that Hope is innocent. Trish is also helping, although her way of helping is basically calling Kilgrave out on the radio and getting him to send Officer Sampson (UGH) to kill her. Anyway, he doesn’t but, Jessica does drug Trish to make it seem like she’s dead, which I guess is a thing that we can deal with later, and then she follows Sampson to find where Kilgrave is, but she just finds a creepy room full of pictures of herself.
This leads her to break up with Luke, and we learn, of course, that she killed Luke’s wife Reva, while under Kilgrave’s control. The break up sucks, because they went on a super cute date where they talked about having super powers and had some really hot sex and it’s a bummer that she feels like she can’t be with him until this whole Kilgrave thing gets settled, which is actually totally fair, but also way sucks.
Jessica is on the hunt for Sophentinol, which is a surgical anestesia which would simulate his death and allow him to be held prisoner. So that’s what’s going on there. Oh, also, Jeri is building Hope’s case around the fact that she had a psychotic break, until they can prove that Kilgrave is real and can in fact mind control people.
But hey, we also met Sampson. (UGH)
Season 2: Episode 4: “99 Friends”
OK, so, Jessica’s new directive is to find who’s the one who’s been taking pictures of her, the answer really is crazy heart breaking. Anyway, she’s focused on that, and puts together, with Hogarth, a group of people who are also dealing with Kilgrave having controlled them at some point. She uses their stories to figure out his movements and where she can find him.
All of the stories that Jessica verifies, in addition to having a proper physical description have an air of desperation about them, but there’s nothing quite like the story of the man abandoning his son when Kilgrave decided to enlist him as his chauffer. It’s an amazing turn of writing and acting.
Here’s something I think I might be turned around on, and that’s Sampson and Trish hooking up here. I still don’t like it, but the moments of it, him respecting her decision to wait on the other side of the door, the stories of their childhoods, and eventually, her letting him into the apartment, it plays way better than I initially thought it would.
- This is our first mention of “It’s Patsy” and Trish as Patsy Walker. One of the smartest things done in the Defenders verse so far is incorporating the weird trajectory of comics character Patsy Walker into the character of Trish.
- Sometimes I wish that the show didn’t have to deal with the Kilgrave stuff, and we could just get a whole episode of Malcolm, Robin and Reuben hanging out in the apartment building. But not really.
- I really don’t love the super hunting couple that comes after Jessica because her mother died in The Battle of New York. I didn’t like this plotline here or in Heroes: Reborn. However, at least here it’s over quickly and the rest of the show is good. Not so much in Heroes: Reborn.